Cynthia Back is an American artist. Back lives in the countryside, surrounded by luxurious nature and landscape which she then translates into her works. In Back’s creations, the love for the natural elements is brought to the observers’ focus through the use of bright colors. Back creates exuberant patterns taking notice of every rock, every leaf, every cloud. These prints perfectly imitate immersion in a landscape. The observing viewer is also invited to consider the fragility of nature and analyze the impact of man and climate change in nature.
Search Results for: woodcut
“Glacier Melt #1”, Cynthia Back (US) | CYBA 332/0979/1
Cynthia Back is an American artist. Back lives in the countryside, surrounded by luxurious nature and landscape which she then translates into her works. In Back’s creations, the love for the natural elements is brought to the observers’ focus through the use of bright colors. Back creates exuberant patterns taking notice of every rock, every leaf, every cloud. These prints perfectly imitate immersion in a landscape. The observing viewer is also invited to consider the fragility of nature and analyze the impact of man and climate change in nature.
“That Night of 84 II”, Durgadas Garai (IN) | DUGA 319/1055/3
Artist: Durgadas Garai
Title: That Night of 84 II
Year: 2017
Material/Technique: Etching & Aquatint
Size: 19cm x 24.5cm
Paper Size: 34cm x 44cm
Edition:5
“That Night of 84 I”, Durgadas Garai (IN) | DUGA 319/1055/2
Artist: Durgadas Garai
Title: That Night of 84 I
Year: 2017
Material/Technique: Etching & Aquatint
Size: 19cm x 24.5cm
Paper Size: 43cm x 35cm
Edition:5
“That Night of 84”, Durgadas Garai (IN) | DUGA 319/1055/1
Artist: Durgadas Garai
Title: That Night of 84
Year: 2017
Material/Technique: Woodcut
Size: 19cm x 25cm
Paper Size: 41cm x 29cm
Edition:5
“Projections”, Valerie Syposz (CA) | VASY 244/1272/5
Valerie Syposz’s wood engravings are loaded with intense feelings. The Canadian artist is centred around the human being and in their struggle with their inner thoughts. The artist reflects on human existence and uses Renaissance sculptures of the humanist period as references to highlight this idea. In Syposz’s graphic works, the viewer is confronted with the perception of the self or of the one that is projected, and how others actually perceive it. The prints narrate a story of loneliness, stereotypes and prejudices.
“Blueprint”, Valerie Syposz (CA) | VASY 244/1272/4
Valerie Syposz’s wood engravings are loaded with intense feelings. The Canadian artist is centred around the human being and in their struggle with their inner thoughts. The artist reflects on human existence and uses Renaissance sculptures of the humanist period as references to highlight this idea. In Syposz’s graphic works, the viewer is confronted with the perception of the self or of the one that is projected, and how others actually perceive it. The prints narrate a story of loneliness, stereotypes and prejudices.
“Reflection”, Valerie Syposz (CA) | VASY 244/1272/3
Valerie Syposz’s wood engravings are loaded with intense feelings. The Canadian artist is centred around the human being and in their struggle with their inner thoughts. The artist reflects on human existence and uses Renaissance sculptures of the humanist period as references to highlight this idea. In Syposz’s graphic works, the viewer is confronted with the perception of the self or of the one that is projected, and how others actually perceive it. The prints narrate a story of loneliness, stereotypes and prejudices.
“The Way Up”, Valerie Syposz (CA) | VASY 244/1272/2
Valerie Syposz’s wood engravings are loaded with intense feelings. The Canadian artist is centred around the human being and in their struggle with their inner thoughts. The artist reflects on human existence and uses Renaissance sculptures of the humanist period as references to highlight this idea. In Syposz’s graphic works, the viewer is confronted with the perception of the self or of the one that is projected, and how others actually perceive it. The prints narrate a story of loneliness, stereotypes and prejudices.
“Self”, Valerie Syposz (CA) | VASY 244/1272/1
Valerie Syposz’s wood engravings are loaded with intense feelings. The Canadian artist is centred around the human being and in their struggle with their inner thoughts. The artist reflects on human existence and uses Renaissance sculptures of the humanist period as references to highlight this idea. In Syposz’s graphic works, the viewer is confronted with the perception of the self or of the one that is projected, and how others actually perceive it. The prints narrate a story of loneliness, stereotypes and prejudices.